22 ideas
| 6334 | The function of the truth predicate? Understanding 'true'? Meaning of 'true'? The concept of truth? A theory of truth? [Horwich] |
| 6342 | Some correspondence theories concern facts; others are built up through reference and satisfaction [Horwich] |
| 6332 | The common-sense theory of correspondence has never been worked out satisfactorily [Horwich] |
| 6335 | The redundancy theory cannot explain inferences from 'what x said is true' and 'x said p', to p [Horwich] |
| 6344 | Truth is a useful concept for unarticulated propositions and generalisations about them [Horwich] |
| 6336 | No deflationary conception of truth does justice to the fact that we aim for truth [Horwich] |
| 23299 | Horwich's deflationary view is novel, because it relies on propositions rather than sentences [Horwich, by Davidson] |
| 6337 | The deflationary picture says believing a theory true is a trivial step after believing the theory [Horwich] |
| 6339 | Logical form is the aspects of meaning that determine logical entailments [Horwich] |
| 16078 | Clay is intrinsically and atomically the same as statue (and that lacks 'modal properties') [Rudder Baker] |
| 16077 | The clay is not a statue - it borrows that property from the statue it constitutes [Rudder Baker] |
| 16080 | Is it possible for two things that are identical to become two separate things? [Rudder Baker] |
| 16076 | Constitution is not identity, as consideration of essential predicates shows [Rudder Baker] |
| 16081 | The constitution view gives a unified account of the relation of persons/bodies, statues/bronze etc [Rudder Baker] |
| 16082 | Statues essentially have relational properties lacked by lumps [Rudder Baker] |
| 6338 | We could know the truth-conditions of a foreign sentence without knowing its meaning [Horwich] |
| 6340 | There are Fregean de dicto propositions, and Russellian de re propositions, or a mixture [Horwich] |
| 6341 | Right translation is a mapping of languages which preserves basic patterns of usage [Horwich] |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |