31 ideas
| 16951 | It was realised that possible worlds covered all modal logics, if they had a structure [Dummett] |
| 16952 | If something is only possible relative to another possibility, the possibility relation is not transitive [Dummett] |
| 16953 | Relative possibility one way may be impossible coming back, so it isn't symmetrical [Dummett] |
| 16960 | If possibilitiy is relative, that might make accessibility non-transitive, and T the correct system [Dummett] |
| 16958 | In S4 the actual world has a special place [Dummett] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 16078 | Clay is intrinsically and atomically the same as statue (and that lacks 'modal properties') [Rudder Baker] |
| 16077 | The clay is not a statue - it borrows that property from the statue it constitutes [Rudder Baker] |
| 16080 | Is it possible for two things that are identical to become two separate things? [Rudder Baker] |
| 16076 | Constitution is not identity, as consideration of essential predicates shows [Rudder Baker] |
| 16081 | The constitution view gives a unified account of the relation of persons/bodies, statues/bronze etc [Rudder Baker] |
| 16082 | Statues essentially have relational properties lacked by lumps [Rudder Baker] |
| 16957 | Possible worlds aren't how the world might be, but how a world might be, given some possibility [Dummett] |
| 16959 | If possible worlds have no structure (S5) they are equal, and it is hard to deny them reality [Dummett] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 16956 | To explain generosity in a person, you must understand a generous action [Dummett] |
| 16954 | Generalised talk of 'natural kinds' is unfortunate, as they vary too much [Dummett] |