Combining Texts

All the ideas for 'Why Constitution is not Identity', 'On Carnap's Views on Ontology' and 'An Essay in Aesthetics'

expand these ideas     |    start again     |     specify just one area for these texts

21 ideas

1. Philosophy / E. Nature of Metaphysics / 4. Metaphysics as Science
22153 Quine rejects Carnap's view that science and philosophy are distinct [Quine, by Boulter]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
19485 Names have no ontological commitment, because we can deny that they name anything [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / b. Commitment of quantifiers
19486 We can use quantification for commitment to unnameable things like the real numbers [Quine]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
16078 Clay is intrinsically and atomically the same as statue (and that lacks 'modal properties') [Rudder Baker]
16077 The clay is not a statue - it borrows that property from the statue it constitutes [Rudder Baker]
9. Objects / B. Unity of Objects / 3. Unity Problems / d. Coincident objects
16080 Is it possible for two things that are identical to become two separate things? [Rudder Baker]
9. Objects / C. Structure of Objects / 6. Constitution of an Object
16076 Constitution is not identity, as consideration of essential predicates shows [Rudder Baker]
16081 The constitution view gives a unified account of the relation of persons/bodies, statues/bronze etc [Rudder Baker]
16082 Statues essentially have relational properties lacked by lumps [Rudder Baker]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
19. Language / E. Analyticity / 3. Analytic and Synthetic
19487 Without the analytic/synthetic distinction, Carnap's ontology/empirical distinction collapses [Quine]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]