54 ideas
| 6947 | Metaphysics does not rest on facts, but on what we are inclined to believe [Peirce] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 6937 | Reason aims to discover the unknown by thinking about the known [Peirce] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 17518 | Counting 'coin in this box' may have coin as the unit, with 'in this box' merely as the scope [Ayers] |
| 17516 | If counting needs a sortal, what of things which fall under two sortals? [Ayers] |
| 17520 | Events do not have natural boundaries, and we have to set them [Ayers] |
| 21492 | Realism is basic to the scientific method [Peirce] |
| 6949 | If someone doubted reality, they would not actually feel dissatisfaction [Peirce] |
| 17519 | To express borderline cases of objects, you need the concept of an 'object' [Ayers] |
| 17510 | Speakers need the very general category of a thing, if they are to think about it [Ayers] |
| 17522 | We use sortals to classify physical objects by the nature and origin of their unity [Ayers] |
| 17515 | Seeing caterpillar and moth as the same needs continuity, not identity of sortal concepts [Ayers] |
| 17511 | Recognising continuity is separate from sortals, and must precede their use [Ayers] |
| 17517 | Could the same matter have more than one form or principle of unity? [Ayers] |
| 17513 | If there are two objects, then 'that marble, man-shaped object' is ambiguous [Ayers] |
| 17523 | Sortals basically apply to individuals [Ayers] |
| 17521 | You can't have the concept of a 'stage' if you lack the concept of an object [Ayers] |
| 17514 | Temporal 'parts' cannot be separated or rearranged [Ayers] |
| 17509 | Some say a 'covering concept' completes identity; others place the concept in the reference [Ayers] |
| 17512 | If diachronic identities need covering concepts, why not synchronic identities too? [Ayers] |
| 6940 | The feeling of belief shows a habit which will determine our actions [Peirce] |
| 6941 | We are entirely satisfied with a firm belief, even if it is false [Peirce] |
| 6942 | We want true beliefs, but obviously we think our beliefs are true [Peirce] |
| 6943 | A mere question does not stimulate a struggle for belief; there must be a real doubt [Peirce] |
| 6598 | We need our beliefs to be determined by some external inhuman permanency [Peirce] |
| 6944 | Demonstration does not rest on first principles of reason or sensation, but on freedom from actual doubt [Peirce] |
| 6948 | Doubts should be satisfied by some external permanency upon which thinking has no effect [Peirce] |
| 6945 | Once doubt ceases, there is no point in continuing to argue [Peirce] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 6939 | What is true of one piece of copper is true of another (unlike brass) [Peirce] |
| 6938 | Natural selection might well fill an animal's mind with pleasing thoughts rather than true ones [Peirce] |
| 6946 | If death is annihilation, belief in heaven is a cheap pleasure with no disappointment [Peirce] |