49 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
5745 | Quine says quantified modal logic creates nonsense, bad ontology, and false essentialism [Melia on Quine] |
8789 | Various strategies try to deal with the ontological commitments of second-order logic [Hale/Wright on Quine] |
17518 | Counting 'coin in this box' may have coin as the unit, with 'in this box' merely as the scope [Ayers] |
17516 | If counting needs a sortal, what of things which fall under two sortals? [Ayers] |
16966 | Philosophers tend to distinguish broad 'being' from narrower 'existence' - but I reject that [Quine] |
16965 | All we have of general existence is what existential quantifiers express [Quine] |
17520 | Events do not have natural boundaries, and we have to set them [Ayers] |
16963 | Existence is implied by the quantifiers, not by the constants [Quine] |
16964 | Theories are committed to objects of which some of its predicates must be true [Quine] |
4216 | Express a theory in first-order predicate logic; its ontology is the types of bound variable needed for truth [Quine, by Lowe] |
18966 | Ontological commitment of theories only arise if they are classically quantified [Quine] |
14490 | You can be implicitly committed to something without quantifying over it [Thomasson on Quine] |
16961 | In formal terms, a category is the range of some style of variables [Quine] |
17519 | To express borderline cases of objects, you need the concept of an 'object' [Ayers] |
17511 | Recognising continuity is separate from sortals, and must precede their use [Ayers] |
17510 | Speakers need the very general category of a thing, if they are to think about it [Ayers] |
17522 | We use sortals to classify physical objects by the nature and origin of their unity [Ayers] |
17515 | Seeing caterpillar and moth as the same needs continuity, not identity of sortal concepts [Ayers] |
17517 | Could the same matter have more than one form or principle of unity? [Ayers] |
17513 | If there are two objects, then 'that marble, man-shaped object' is ambiguous [Ayers] |
17523 | Sortals basically apply to individuals [Ayers] |
17514 | Temporal 'parts' cannot be separated or rearranged [Ayers] |
17521 | You can't have the concept of a 'stage' if you lack the concept of an object [Ayers] |
17509 | Some say a 'covering concept' completes identity; others place the concept in the reference [Ayers] |
17512 | If diachronic identities need covering concepts, why not synchronic identities too? [Ayers] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |