Combining Texts

All the ideas for 'The Problem of Empty Names', 'Reference and Necessity' and 'An Essay in Aesthetics'

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23 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / c. Names as referential
16405 To understand a name (unlike a description) picking the thing out is sufficient? [Stalnaker]
5. Theory of Logic / F. Referring in Logic / 1. Naming / e. Empty names
18946 Unreflectively, we all assume there are nonexistents, and we can refer to them [Reimer]
9. Objects / C. Structure of Objects / 7. Substratum
16407 Possible worlds allow separating all the properties, without hitting a bare particular [Stalnaker]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
16397 If it might be true, it might be true in particular ways, and possible worlds describe such ways [Stalnaker]
16398 Possible worlds allow discussion of modality without controversial modal auxiliaries [Stalnaker]
16399 Possible worlds are ontologically neutral, but a commitment to possibilities remains [Stalnaker]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
16396 Kripke's possible worlds are methodological, not metaphysical [Stalnaker]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
16408 Rigid designation seems to presuppose that differing worlds contain the same individuals [Stalnaker]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
19. Language / A. Nature of Meaning / 1. Meaning
16406 If you don't know what you say you can't mean it; what people say usually fits what they mean [Stalnaker]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
16404 In the use of a name, many individuals are causally involved, but they aren't all the referent [Stalnaker]
19. Language / C. Assigning Meanings / 2. Semantics
16403 'Descriptive' semantics gives a system for a language; 'foundational' semantics give underlying facts [Stalnaker]
19. Language / C. Assigning Meanings / 6. Truth-Conditions Semantics
16401 To understand an utterance, you must understand what the world would be like if it is true [Stalnaker]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]