Combining Texts

All the ideas for 'The Origin of the Work of Art', 'Fourfold Root of Princ of Sufficient Reason' and 'An Essay in Aesthetics'

expand these ideas     |    start again     |     specify just one area for these texts


20 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
2. Reason / B. Laws of Thought / 2. Sufficient Reason
Sufficient Reason can't be proved, because all proof presupposes it [Schopenhauer, by Lewis,PB]
7. Existence / E. Categories / 1. Categories
No need for a priori categories, since sufficient reason shows the interrelations [Schopenhauer, by Lewis,PB]
10. Modality / A. Necessity / 3. Types of Necessity
Necessity is physical, logical, mathematical or moral [Schopenhauer, by Janaway]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / a. Idealism
For Schopenhauer, material things would not exist without the mind [Schopenhauer, by Janaway]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Object for a subject and representation are the same thing [Schopenhauer]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
The four explanations: objects by causes, concepts by ground, maths by spacetime, ethics by motive [Schopenhauer, by Lewis,PB]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / D. Concepts / 2. Origin of Concepts / b. Empirical concepts
Concepts are abstracted from perceptions [Schopenhauer, by Lewis,PB]
20. Action / C. Motives for Action / 3. Acting on Reason / c. Reasons as causes
Motivation is causality seen from within [Schopenhauer]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]