Combining Texts

All the ideas for 'The Origin of the Work of Art', 'works' and 'Essays on Intellectual Powers 5: Abstraction'

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9 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
8. Modes of Existence / D. Universals / 5. Universals as Concepts
Universals are not objects of sense and cannot be imagined - but can be conceived [Reid]
8. Modes of Existence / E. Nominalism / 1. Nominalism / b. Nominalism about universals
Only individuals exist [Reid]
8. Modes of Existence / E. Nominalism / 2. Resemblance Nominalism
No one thinks two sheets possess a single whiteness, but all agree they are both white [Reid]
9. Objects / F. Identity among Objects / 1. Concept of Identity
Real identity admits of no degrees [Reid]
18. Thought / A. Modes of Thought / 1. Thought
We must first conceive things before we can consider them [Reid]
18. Thought / E. Abstraction / 1. Abstract Thought
First we notice and name attributes ('abstracting'); then we notice that subjects share them ('generalising') [Reid]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Beauty motivates morality, by harmonising feeling and reason [Schiller, by Pinkard]
25. Social Practice / A. Freedoms / 5. Freedom of lifestyle
Schiller speaks obsessively of freedom throughout his works [Schiller, by Berlin]