Combining Texts

All the ideas for 'The Origin of the Work of Art', 'Semantics for Propositional Attitudes' and 'Aesthetics'

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7 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
15585 Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
15785 Our commitments are to an 'ontology', but also to an 'ideology', or conceptual system [Hintikka]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
15786 Commitment to possible worlds is part of our ideology, not part of our ontology [Hintikka]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
8108 Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
8112 Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
8111 Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
8109 Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]