58 ideas
| 10838 | To explain a concept, we need its purpose, not just its rules of usage [Dummett] |
| 22223 | Being-in-the-world is projection to possibilities, thrownness among them, and fallenness within them [Heidegger, by Caputo] |
| 22158 | Pheomenology seeks things themselves, without empty theories, problems and concepts [Heidegger] |
| 15574 | 'Logos' really means 'making something manifest' [Heidegger, by Polt] |
| 10837 | It is part of the concept of truth that we aim at making true statements [Dummett] |
| 10840 | We must be able to specify truths in a precise language, like winning moves in a game [Dummett] |
| 15569 | Heidegger says truth is historical, and never absolute [Heidegger, by Polt] |
| 19171 | Tarski's truth is like rules for winning games, without saying what 'winning' means [Dummett, by Davidson] |
| 21897 | Reducing being to the study of beings too readily accepts the modern scientific view [Heidegger, by May] |
| 15573 | For us, Being is constituted by awareness of other sorts of Being [Heidegger] |
| 9273 | Heidegger turns to 'Being' to affirm the uniqueness of humans in the world [Heidegger, by Gray] |
| 22157 | Dasein is a mode of Being distinguished by concern for its own Being [Heidegger] |
| 8137 | Dasein is ahead of itself in the world, and alongside encountered entities [Heidegger] |
| 21951 | In company with others one's Dasein dissolves, and even the others themselves dissolve [Heidegger] |
| 20745 | 'Dasein' expresses not 'what' the entity is, but its being [Heidegger] |
| 8134 | The word 'dasein' is used to mean 'the manner of Being which man possesses', and also the human creature [Heidegger, by Cooper,DE] |
| 8135 | 'Dasein' is Being which is laid claim to, and which matters to its owner [Heidegger, by Cooper,DE] |
| 21948 | Dasein is being which can understand itself, and possess itself in a way allowing authenticity [Heidegger] |
| 7680 | Ontology is possible only as phenomenology [Heidegger] |
| 22161 | Readiness-to-hand defines things in themselves ontologically [Heidegger] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 15576 | Heidegger seeks a non-traditional concept of essence as 'essential unfolding' [Heidegger, by Polt] |
| 15578 | Propositions don't provide understanding, because the understanding must come first [Heidegger, by Polt] |
| 22159 | If we posit 'I' as the starting point, we miss the mind's phenomenal content [Heidegger] |
| 22160 | Our relationship to a hammer strengthens when we use [Heidegger] |
| 15580 | There are no raw sense-data - our experiences are of the sound or colour of something [Heidegger] |
| 20749 | Perceived objects always appear in a context [Heidegger] |
| 22163 | The scandal of philosophy is expecting to prove reality when the prover's Being is vague [Heidegger] |
| 21949 | Having thoughts and feelings need engagement in the world [Heidegger, by Wrathall] |
| 22222 | Dasein finds itself already amongst others [Heidegger, by Caputo] |
| 8136 | If we work and play with other people, they are bound to be 'Dasein', intelligent agents [Heidegger, by Cooper,DE] |
| 22164 | When Dasein grasps something it exists externally alongside the thing [Heidegger] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 22162 | There is an everyday self, and an authentic self, when it is grasped in its own way [Heidegger] |
| 20114 | Everyone is other, and no one is himself [Heidegger] |
| 15577 | Moods are more fundamentally revealing than theories - as when fear reveals a threat [Heidegger, by Polt] |
| 10839 | You can't infer a dog's abstract concepts from its behaviour [Dummett] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 20748 | We do not add value to naked things; its involvement is disclosed in understanding it [Heidegger] |
| 22166 | Dasein has the potential to be itself, but must be shown this in the midst of ordinariness [Heidegger] |
| 22165 | Anxiety reveals the possibility and individuality of Dasein [Heidegger] |
| 21952 | Anxiety about death frees me to live my own life [Heidegger, by Wrathall] |
| 22224 | Anxiety is the uncanniness felt when constantly fleeing from asserting one's own freedom [Heidegger, by Caputo] |
| 15572 | Being what it is (essentia) must be conceived in terms of Being (existence) [Heidegger] |
| 20453 | Heidegger says we must either choose an inauthentic hero, or choose yourself as hero [Heidegger, by Critchley] |