30 ideas
| 15375 | If terms change their designations in different states, they are functions from states to objects [Fitting] |
| 15376 | Intensional logic adds a second type of quantification, over intensional objects, or individual concepts [Fitting] |
| 15378 | Awareness logic adds the restriction of an awareness function to epistemic logic [Fitting] |
| 15379 | Justication logics make explicit the reasons for mathematical truth in proofs [Fitting] |
| 11026 | Classical logic is deliberately extensional, in order to model mathematics [Fitting] |
| 11028 | λ-abstraction disambiguates the scope of modal operators [Fitting] |
| 21642 | If quantification is all substitutional, there is no ontology [Quine] |
| 1633 | Absolute ontological questions are meaningless, because the answers are circular definitions [Quine] |
| 18964 | Ontology is relative to both a background theory and a translation manual [Quine] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 18965 | We know what things are by distinguishing them, so identity is part of ontology [Quine] |
| 15377 | Definite descriptions pick out different objects in different possible worlds [Fitting] |
| 1634 | Two things are relative - the background theory, and translating the object theory into the background theory [Quine] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 8470 | Reference is inscrutable, because we cannot choose between theories of numbers [Quine, by Orenstein] |
| 18963 | Indeterminacy translating 'rabbit' depends on translating individuation terms [Quine] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |