Combining Texts

All the ideas for 'Natural Kinds and Biological Realism', 'Introductions to 'Aesthetics and the Phil of Art'' and 'Fact, Fiction and Forecast (4th ed)'

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11 ideas

5. Theory of Logic / C. Ontology of Logic / 4. Logic by Convention
If the result is bad, we change the rule; if we like the rule, we reject the result [Goodman]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / a. Dispositions
Dispositions seem more ethereal than behaviour; a non-occult account of them would be nice [Goodman]
14. Science / C. Induction / 5. Paradoxes of Induction / a. Grue problem
Goodman argued that the confirmation relation can never be formalised [Goodman, by Horsten/Pettigrew]
Goodman showed that every sound inductive argument has an unsound one of the same form [Goodman, by Putnam]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / B. Natural Kinds / 1. Natural Kinds
Some kinds are very explanatory, but others less so, and some not at all [Devitt]
26. Natural Theory / D. Laws of Nature / 3. Laws and Generalities
We don't use laws to make predictions, we call things laws if we make predictions with them [Goodman]
27. Natural Reality / G. Biology / 5. Species
Species pluralism says there are several good accounts of what a species is [Devitt]
The higher categories are not natural kinds, so the Linnaean hierarchy should be given up [Devitt]