Combining Texts

All the ideas for 'Truth and the Past', 'Action, Reasons and Causes' and 'Critique of Judgement I: Aesthetic'

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35 ideas

5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
Undecidable statements result from quantifying over infinites, subjunctive conditionals, and the past tense [Dummett]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / b. The Heap paradox ('Sorites')
Surely there is no exact single grain that brings a heap into existence [Dummett]
6. Mathematics / C. Sources of Mathematics / 10. Constructivism / b. Intuitionism
Intuitionists rely on the proof of mathematical statements, not their truth [Dummett]
7. Existence / B. Change in Existence / 1. Nature of Change
A 'Cambridge Change' is like saying 'the landscape changes as you travel east' [Dummett]
7. Existence / B. Change in Existence / 4. Events / b. Events as primitive
Varied descriptions of an event will explain varied behaviour relating to it [Davidson, by Macdonald,C]
7. Existence / D. Theories of Reality / 4. Anti-realism
I no longer think what a statement about the past says is just what can justify it [Dummett]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
The existence of a universe without sentience or intelligence is an unintelligible fantasy [Dummett]
19. Language / A. Nature of Meaning / 5. Meaning as Verification
Verification is not an individual but a collective activity [Dummett]
19. Language / C. Assigning Meanings / 6. Truth-Conditions Semantics
Truth-condition theorists must argue use can only be described by appeal to conditions of truth [Dummett]
The truth-conditions theory must get agreement on a conception of truth [Dummett]
20. Action / A. Definition of Action / 2. Duration of an Action
If one action leads directly to another, they are all one action [Davidson, by Wilson/Schpall]
20. Action / B. Preliminaries of Action / 1. Intention to Act / a. Nature of intentions
We explain an intention by giving an account of acting with an intention [Davidson, by Stout,R]
20. Action / C. Motives for Action / 2. Acting on Beliefs / a. Acting on beliefs
Acting for a reason is a combination of a pro attitude, and a belief that the action is appropriate [Davidson]
20. Action / C. Motives for Action / 3. Acting on Reason / c. Reasons as causes
Davidson claims that what causes an action is the reason for doing it [Davidson, by Kim]
The best explanation of reasons as purposes for actions is that they are causal [Davidson, by Smith,M]
Reasons can give purposes to actions, without actually causing them [Smith,M on Davidson]
Early Davidson says intentional action is caused by reasons [Davidson, by Stout,R]
Reasons must be causes when agents act 'for' reasons [Davidson, by Lowe]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
27. Natural Reality / D. Time / 1. Nature of Time / f. Eternalism
Maybe past (which affects us) and future (which we can affect) are both real [Dummett]
27. Natural Reality / D. Time / 2. Passage of Time / k. Temporal truths
The present cannot exist alone as a mere boundary; past and future truths are rendered meaningless [Dummett]