Combining Texts

All the ideas for 'Analyzing Modality', 'Quining Qualia' and 'An Essay in Aesthetics'

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26 ideas

5. Theory of Logic / G. Quantification / 3. Objectual Quantification
11115 'All horses' either picks out the horses, or the things which are horses [Jubien]
9. Objects / A. Existence of Objects / 1. Physical Objects
11116 Being a physical object is our most fundamental category [Jubien]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
11117 Haecceities implausibly have no qualities [Jubien]
10. Modality / A. Necessity / 11. Denial of Necessity
11119 De re necessity is just de dicto necessity about object-essences [Jubien]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
11118 Modal propositions transcend the concrete, but not the actual [Jubien]
11108 Your properties, not some other world, decide your possibilities [Jubien]
11111 Modal truths are facts about parts of this world, not about remote maximal entities [Jubien]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
11105 We have no idea how many 'possible worlds' there might be [Jubien]
11109 If other worlds exist, then they are scattered parts of the actual world [Jubien]
11106 If all possible worlds just happened to include stars, their existence would be necessary [Jubien]
11107 If there are no other possible worlds, do we then exist necessarily? [Jubien]
11112 Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien]
11113 Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
11110 We mustn't confuse a similar person with the same person [Jubien]
15. Nature of Minds / B. Features of Minds / 5. Qualia / a. Nature of qualia
6624 Dennett denies the existence of qualia [Dennett, by Lowe]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]