20 ideas
14713 | Truth in a scenario is the negation in that scenario being a priori incoherent [Chalmers] |
11115 | 'All horses' either picks out the horses, or the things which are horses [Jubien] |
11116 | Being a physical object is our most fundamental category [Jubien] |
11117 | Haecceities implausibly have no qualities [Jubien] |
11119 | De re necessity is just de dicto necessity about object-essences [Jubien] |
11118 | Modal propositions transcend the concrete, but not the actual [Jubien] |
11108 | Your properties, not some other world, decide your possibilities [Jubien] |
11111 | Modal truths are facts about parts of this world, not about remote maximal entities [Jubien] |
11105 | We have no idea how many 'possible worlds' there might be [Jubien] |
11107 | If there are no other possible worlds, do we then exist necessarily? [Jubien] |
11106 | If all possible worlds just happened to include stars, their existence would be necessary [Jubien] |
11112 | Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien] |
11109 | If other worlds exist, then they are scattered parts of the actual world [Jubien] |
11113 | Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien] |
11110 | We mustn't confuse a similar person with the same person [Jubien] |
14712 | A sentence is a priori if no possible way the world might actually be could make it false [Chalmers] |
20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |