Combining Texts

All the ideas for 'Analyzing Modality', 'Epistemic Two-Dimensional Semantics' and 'Croce and Collingwood'

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20 ideas

3. Truth / D. Coherence Truth / 1. Coherence Truth
Truth in a scenario is the negation in that scenario being a priori incoherent [Chalmers]
5. Theory of Logic / G. Quantification / 3. Objectual Quantification
'All horses' either picks out the horses, or the things which are horses [Jubien]
9. Objects / A. Existence of Objects / 1. Physical Objects
Being a physical object is our most fundamental category [Jubien]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
Haecceities implausibly have no qualities [Jubien]
10. Modality / A. Necessity / 11. Denial of Necessity
De re necessity is just de dicto necessity about object-essences [Jubien]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
Modal propositions transcend the concrete, but not the actual [Jubien]
Your properties, not some other world, decide your possibilities [Jubien]
Modal truths are facts about parts of this world, not about remote maximal entities [Jubien]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
We have no idea how many 'possible worlds' there might be [Jubien]
If there are no other possible worlds, do we then exist necessarily? [Jubien]
If all possible worlds just happened to include stars, their existence would be necessary [Jubien]
Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien]
If other worlds exist, then they are scattered parts of the actual world [Jubien]
Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
We mustn't confuse a similar person with the same person [Jubien]
12. Knowledge Sources / A. A Priori Knowledge / 4. A Priori as Necessities
A sentence is a priori if no possible way the world might actually be could make it false [Chalmers]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]