Combining Texts

All the ideas for 'Analyzing Modality', 'Introductions to 'Aesthetics and the Phil of Art'' and 'What do powers do when they are not manifested?'

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18 ideas

5. Theory of Logic / G. Quantification / 3. Objectual Quantification
11115 'All horses' either picks out the horses, or the things which are horses [Jubien]
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
17996 Powers are claimed to be basic because fundamental particles lack internal structure [Psillos]
9. Objects / A. Existence of Objects / 1. Physical Objects
11116 Being a physical object is our most fundamental category [Jubien]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
11117 Haecceities implausibly have no qualities [Jubien]
10. Modality / A. Necessity / 11. Denial of Necessity
11119 De re necessity is just de dicto necessity about object-essences [Jubien]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
11118 Modal propositions transcend the concrete, but not the actual [Jubien]
11108 Your properties, not some other world, decide your possibilities [Jubien]
11111 Modal truths are facts about parts of this world, not about remote maximal entities [Jubien]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
11105 We have no idea how many 'possible worlds' there might be [Jubien]
11107 If there are no other possible worlds, do we then exist necessarily? [Jubien]
11106 If all possible worlds just happened to include stars, their existence would be necessary [Jubien]
11112 Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien]
11109 If other worlds exist, then they are scattered parts of the actual world [Jubien]
11113 Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
11110 We mustn't confuse a similar person with the same person [Jubien]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]