37 ideas
2661 | Dialectic is speech cast in the form of logical argument [Cicero] |
2673 | There cannot be more than one truth [Cicero] |
2669 | Dialectic assumes that all statements are either true or false, but self-referential paradoxes are a big problem [Cicero] |
11115 | 'All horses' either picks out the horses, or the things which are horses [Jubien] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
11116 | Being a physical object is our most fundamental category [Jubien] |
11117 | Haecceities implausibly have no qualities [Jubien] |
11119 | De re necessity is just de dicto necessity about object-essences [Jubien] |
11118 | Modal propositions transcend the concrete, but not the actual [Jubien] |
11108 | Your properties, not some other world, decide your possibilities [Jubien] |
11111 | Modal truths are facts about parts of this world, not about remote maximal entities [Jubien] |
11105 | We have no idea how many 'possible worlds' there might be [Jubien] |
11107 | If there are no other possible worlds, do we then exist necessarily? [Jubien] |
11106 | If all possible worlds just happened to include stars, their existence would be necessary [Jubien] |
11112 | Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien] |
11109 | If other worlds exist, then they are scattered parts of the actual world [Jubien] |
11113 | Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien] |
11110 | We mustn't confuse a similar person with the same person [Jubien] |
2664 | If we have complete healthy senses, what more could the gods give us? [Cicero] |
2665 | How can there be a memory of what is false? [Cicero] |
20800 | Every true presentation can have a false one of the same quality [Cicero] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
2672 | Virtues must be very detached, to avoid being motivated by pleasure [Cicero] |