44 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 21945 | Foucault originally felt that liberating reason had become an instrument of domination [Foucault, by Gutting] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 11115 | 'All horses' either picks out the horses, or the things which are horses [Jubien] |
| 11116 | Being a physical object is our most fundamental category [Jubien] |
| 11117 | Haecceities implausibly have no qualities [Jubien] |
| 11119 | De re necessity is just de dicto necessity about object-essences [Jubien] |
| 11118 | Modal propositions transcend the concrete, but not the actual [Jubien] |
| 11108 | Your properties, not some other world, decide your possibilities [Jubien] |
| 11111 | Modal truths are facts about parts of this world, not about remote maximal entities [Jubien] |
| 11105 | We have no idea how many 'possible worlds' there might be [Jubien] |
| 11107 | If there are no other possible worlds, do we then exist necessarily? [Jubien] |
| 11106 | If all possible worlds just happened to include stars, their existence would be necessary [Jubien] |
| 11112 | Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien] |
| 11109 | If other worlds exist, then they are scattered parts of the actual world [Jubien] |
| 11113 | Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien] |
| 11110 | We mustn't confuse a similar person with the same person [Jubien] |
| 21942 | Foucault challenges knowledge in psychology and sociology, not in the basic sciences [Foucault, by Gutting] |
| 21941 | Unlike Marxists, Foucault explains thought internally, without deference to conscious ideas [Foucault, by Gutting] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 21939 | The author function of any text is a plurality of selves [Foucault, by Gutting] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 21940 | Nature is not the basis of rights, but the willingness to risk death in asserting them [Foucault] |
| 21116 | Power is used to create identities and ways of life for other people [Foucault, by Shorten] |