20 ideas
| 17954 | Essence is a thing's necessities, but what about its possibilities (which may not be realised)? [Vetter] |
| 17953 | Real definition fits abstracta, but not individual concrete objects like Socrates [Vetter] |
| 17952 | Modal accounts make essence less mysterious, by basing them on the clearer necessity [Vetter] |
| 17959 | Metaphysical necessity is even more deeply empirical than Kripke has argued [Vetter] |
| 17955 | Possible worlds allow us to talk about degrees of possibility [Vetter] |
| 17957 | Maybe possibility is constituted by potentiality [Vetter] |
| 17958 | The apparently metaphysically possible may only be epistemically possible [Vetter] |
| 17956 | Closeness of worlds should be determined by the intrinsic nature of relevant objects [Vetter] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |