Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Lectures on Aesthetics' and 'Contingent Identity'

expand these ideas     |    start again     |     specify just one area for these texts


24 ideas

3. Truth / A. Truth Problems / 2. Defining Truth
Genuine truth is the resolution of the highest contradiction [Hegel]
3. Truth / A. Truth Problems / 3. Value of Truth
What I hold true must also be part of my feelings and character [Hegel]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard]
A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard]
Clay and statue are two objects, which can be named and reasoned about [Gibbard]
We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Essentialism for concreta is false, since they can come apart under two concepts [Gibbard]
9. Objects / E. Objects over Time / 12. Origin as Essential
A particular statue has sortal persistence conditions, so its origin defines it [Gibbard]
9. Objects / F. Identity among Objects / 6. Identity between Objects
Claims on contingent identity seem to violate Leibniz's Law [Gibbard]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Two identical things must share properties - including creation and destruction times [Gibbard]
Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Possible worlds identity needs a sortal [Gibbard]
Only concepts, not individuals, can be the same across possible worlds [Gibbard]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
Naming a thing in the actual world also invokes some persistence criteria [Gibbard]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
The main purpose of art is to express the unity of human life [Hegel]
Art forms a bridge between the sensuous world and the world of pure thought [Hegel]
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]