22 ideas
4444 | One moderate nominalist view says that properties and relations exist, but they are particulars [Armstrong] |
4445 | If properties and relations are particulars, there is still the problem of how to classify and group them [Armstrong] |
4448 | Should we decide which universals exist a priori (through words), or a posteriori (through science)? [Armstrong] |
4446 | It is claimed that some universals are not exemplified by any particular, so must exist separately [Armstrong] |
4440 | 'Resemblance Nominalism' finds that in practice the construction of resemblance classes is hard [Armstrong] |
4439 | 'Resemblance Nominalism' says properties are resemblances between classes of particulars [Armstrong] |
4431 | 'Predicate Nominalism' says that a 'universal' property is just a predicate applied to lots of things [Armstrong] |
4433 | Concept and predicate nominalism miss out some predicates, and may be viciously regressive [Armstrong] |
4432 | 'Concept Nominalism' says a 'universal' property is just a mental concept applied to lots of things [Armstrong] |
4436 | 'Class Nominalism' may explain properties if we stick to 'natural' sets, and ignore random ones [Armstrong] |
4434 | 'Class Nominalism' says that properties or kinds are merely membership of a set (e.g. of white things) [Armstrong] |
4435 | 'Class Nominalism' cannot explain co-extensive properties, or sets with random members [Armstrong] |
4437 | 'Mereological Nominalism' sees whiteness as a huge white object consisting of all the white things [Armstrong] |
4438 | 'Mereological Nominalism' may work for whiteness, but it doesn't seem to work for squareness [Armstrong] |
8122 | True works of art transmit completely new feelings [Tolstoy] |
8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
22710 | People estimate art according to their moral values [Tolstoy] |
8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |