40 ideas
| 6402 | In 1927, Russell analysed force and matter in terms of events [Russell, by Grayling] |
| 16185 | Causality indicates which properties are real [Cartwright,N] |
| 14732 | A perceived physical object is events grouped around a centre [Russell] |
| 14733 | An object produces the same percepts with or without a substance, so that is irrelevant to science [Russell] |
| 6418 | Russell rejected phenomenalism because it couldn't account for causal relations [Russell, by Grayling] |
| 16182 | Two main types of explanation are by causes, or by citing a theoretical framework [Cartwright,N] |
| 16184 | An explanation is a model that fits a theory and predicts the phenomenological laws [Cartwright,N] |
| 16167 | Laws get the facts wrong, and explanation rests on improvements and qualifications of laws [Cartwright,N] |
| 16169 | Laws apply to separate domains, but real explanations apply to intersecting domains [Cartwright,N] |
| 16171 | The covering law view assumes that each phenomenon has a 'right' explanation [Cartwright,N] |
| 16176 | Covering-law explanation lets us explain storms by falling barometers [Cartwright,N] |
| 16177 | I disagree with the covering-law view that there is a law to cover every single case [Cartwright,N] |
| 16180 | You can't explain one quail's behaviour by just saying that all quails do it [Cartwright,N] |
| 16183 | In science, best explanations have regularly turned out to be false [Cartwright,N] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 16175 | A cause won't increase the effect frequency if other causes keep interfering [Cartwright,N] |
| 6781 | There are fundamental explanatory laws (false!), and phenomenological laws (regularities) [Cartwright,N, by Bird] |
| 16166 | Laws of appearances are 'phenomenological'; laws of reality are 'theoretical' [Cartwright,N] |
| 16179 | Good organisation may not be true, and the truth may not organise very much [Cartwright,N] |
| 16178 | There are few laws for when one theory meets another [Cartwright,N] |
| 16170 | To get from facts to equations, we need a prepared descriptions suited to mathematics [Cartwright,N] |
| 16181 | Simple laws have quite different outcomes when they act in combinations [Cartwright,N] |
| 21706 | At first matter is basic and known by sense-data; later Russell says matter is constructed [Russell, by Linsky,B] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |