41 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 17651 | Without words or other symbols, we have no world [Goodman] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 23877 | Most people won't question an idea's truth if they depend on it [Weil] |
| 17652 | Truth is irrelevant if no statements are involved [Goodman] |
| 17656 | Being primitive or prior always depends on a constructional system [Goodman] |
| 17661 | We don't recognise patterns - we invent them [Goodman] |
| 17659 | Reality is largely a matter of habit [Goodman] |
| 17657 | We build our world, and ignore anything that won't fit [Goodman] |
| 17654 | A world can be full of variety or not, depending on how we sort it [Goodman] |
| 17653 | Things can only be judged the 'same' by citing some respect of sameness [Goodman] |
| 17660 | Discovery is often just finding a fit, like a jigsaw puzzle [Goodman] |
| 17658 | Users of digital thermometers recognise no temperatures in the gaps [Goodman] |
| 17650 | We lack frames of reference to transform physics, biology and psychology into one another [Goodman] |
| 17655 | Grue and green won't be in the same world, as that would block induction entirely [Goodman] |
| 23878 | Weakness of will is the inadequacy of the original impetus to carry through the action [Weil] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 23879 | In a violent moral disagreement, it can't be that both sides are just following social morality [Weil] |
| 23880 | When war was a profession, customary morality justified any act of war [Weil] |
| 17649 | If the world is one it has many aspects, and if there are many worlds they will collect into one [Goodman] |