Combining Texts

All the ideas for 'Ways of Worldmaking', 'Plato on Parts and Wholes' and 'Art'

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38 ideas

1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
Without words or other symbols, we have no world [Goodman]
2. Reason / F. Fallacies / 7. Ad Hominem
An ad hominem refutation is reasonable, if it uses the opponent's assumptions [Harte,V]
3. Truth / A. Truth Problems / 5. Truth Bearers
Truth is irrelevant if no statements are involved [Goodman]
4. Formal Logic / G. Formal Mereology / 1. Mereology
Mereology began as a nominalist revolt against the commitments of set theory [Harte,V]
7. Existence / B. Change in Existence / 1. Nature of Change
Traditionally, the four elements are just what persists through change [Harte,V]
7. Existence / C. Structure of Existence / 4. Ontological Dependence
Being primitive or prior always depends on a constructional system [Goodman]
7. Existence / C. Structure of Existence / 5. Supervenience / d. Humean supervenience
We don't recognise patterns - we invent them [Goodman]
7. Existence / D. Theories of Reality / 3. Reality
Reality is largely a matter of habit [Goodman]
7. Existence / D. Theories of Reality / 4. Anti-realism
We build our world, and ignore anything that won't fit [Goodman]
7. Existence / E. Categories / 5. Category Anti-Realism
A world can be full of variety or not, depending on how we sort it [Goodman]
9. Objects / C. Structure of Objects / 6. Constitution of an Object
Mereology treats constitution as a criterion of identity, as shown in the axiom of extensionality [Harte,V]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
What exactly is a 'sum', and what exactly is 'composition'? [Harte,V]
If something is 'more than' the sum of its parts, is the extra thing another part, or not? [Harte,V]
The problem with the term 'sum' is that it is singular [Harte,V]
9. Objects / F. Identity among Objects / 3. Relative Identity
Things can only be judged the 'same' by citing some respect of sameness [Goodman]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / b. Pro-coherentism
Discovery is often just finding a fit, like a jigsaw puzzle [Goodman]
14. Science / B. Scientific Theories / 3. Instrumentalism
Users of digital thermometers recognise no temperatures in the gaps [Goodman]
14. Science / B. Scientific Theories / 5. Commensurability
We lack frames of reference to transform physics, biology and psychology into one another [Goodman]
14. Science / C. Induction / 5. Paradoxes of Induction / a. Grue problem
Grue and green won't be in the same world, as that would block induction entirely [Goodman]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / A. Speculations on Nature / 1. Nature
If the world is one it has many aspects, and if there are many worlds they will collect into one [Goodman]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]