Combining Texts

All the ideas for 'Chomsky on himself', 'Art' and 'Reason, Truth and History'

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41 ideas

1. Philosophy / A. Wisdom / 1. Nature of Wisdom
For ancient Greeks being wise was an ethical value [Putnam]
3. Truth / A. Truth Problems / 1. Truth
Putnam's epistemic notion of truth replaces the realism of correspondence with ontological relativism [Putnam, by O'Grady]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Before Kant, all philosophers had a correspondence theory of truth [Putnam]
3. Truth / C. Correspondence Truth / 3. Correspondence Truth critique
The correspondence theory is wrong, because there is no one correspondence between reality and fact [Putnam, by O'Grady]
3. Truth / E. Pragmatic Truth / 1. Pragmatic Truth
Truth is an idealisation of rational acceptability [Putnam]
5. Theory of Logic / I. Semantics of Logic / 6. Intensionalism
Intension is not meaning, as 'cube' and 'square-faced polyhedron' are intensionally the same [Putnam]
5. Theory of Logic / J. Model Theory in Logic / 2. Isomorphisms
If cats equal cherries, model theory allows reinterpretation of the whole language preserving truth [Putnam]
7. Existence / D. Theories of Reality / 4. Anti-realism
If we try to cure the abundance of theories with causal links, this is 'just more theory' [Putnam, by Lewis]
The sentence 'A cat is on a mat' remains always true when 'cat' means cherry and 'mat' means tree [Putnam]
7. Existence / D. Theories of Reality / 8. Facts / a. Facts
A fact is simply what it is rational to accept [Putnam]
8. Modes of Existence / B. Properties / 12. Denial of Properties
Very nominalistic philosophers deny properties, though scientists accept them [Putnam]
10. Modality / A. Necessity / 11. Denial of Necessity
If necessity is always relative to a description in a language, then there is only 'de dicto' necessity [Putnam, by O'Grady]
13. Knowledge Criteria / E. Relativism / 6. Relativism Critique
Some kind of objective 'rightness' is a presupposition of thought itself [Putnam]
14. Science / B. Scientific Theories / 3. Instrumentalism
Naïve operationalism would have meanings change every time the tests change [Putnam]
18. Thought / A. Modes of Thought / 5. Rationality / b. Human rationality
Rationality is one part of our conception of human flourishing [Putnam]
18. Thought / C. Content / 5. Twin Earth
'Water' on Twin Earth doesn't refer to water, but no mental difference can account for this [Putnam]
18. Thought / C. Content / 6. Broad Content
Reference is social not individual, because we defer to experts when referring to elm trees [Putnam]
18. Thought / D. Concepts / 2. Origin of Concepts / c. Nativist concepts
Chomsky now says concepts are basically innate, as well as syntax [Chomsky, by Lowe]
18. Thought / D. Concepts / 3. Ontology of Concepts / b. Concepts as abilities
Concepts are (at least in part) abilities and not occurrences [Putnam]
19. Language / B. Reference / 3. Direct Reference / c. Social reference
Neither individual nor community mental states fix reference [Putnam]
Maybe the total mental state of a language community fixes the reference of a term [Putnam]
19. Language / F. Communication / 6. Interpreting Language / b. Indeterminate translation
There are infinitely many interpretations of a sentence which can all seem to be 'correct' [Putnam]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / B. Value / 1. Nature of Value / b. Fact and value
The word 'inconsiderate' nicely shows the blurring of facts and values [Putnam]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]