55 ideas
22026 | Philosophy is homesickness - the urge to be at home everywhere [Novalis] |
6891 | Quine's naturalistic and empirical view is based entirely on first-order logic and set theory [Quine, by Mautner] |
6310 | Enquiry needs a conceptual scheme, so we should retain the best available [Quine] |
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
12798 | Plurals can in principle be paraphrased away altogether [Quine] |
17905 | Any progression will do nicely for numbers; they can all then be used to measure multiplicity [Quine] |
9556 | Nearly all of mathematics has to quantify over abstract objects [Quine] |
16462 | The quest for ultimate categories is the quest for a simple clear pattern of notation [Quine] |
15723 | Either dispositions rest on structures, or we keep saying 'all things being equal' [Quine] |
15490 | Explain unmanifested dispositions as structural similarities to objects which have manifested them [Quine, by Martin,CB] |
8504 | Quine aims to deal with properties by the use of eternal open sentences, or classes [Quine, by Devitt] |
8464 | Physical objects in space-time are just events or processes, no matter how disconnected [Quine] |
7924 | The notion of a physical object is by far the most useful one for science [Quine] |
8482 | Mathematicians must be rational but not two-legged, cyclists the opposite. So a mathematical cyclist? [Quine] |
12136 | Cyclist are not actually essentially two-legged [Brody on Quine] |
17594 | We can paraphrase 'x=y' as a sequence of the form 'if Fx then Fy' [Quine] |
15725 | Normal conditionals have a truth-value gap when the antecedent is false. [Quine] |
15722 | Conditionals are pointless if the truth value of the antecedent is known [Quine] |
15719 | We feign belief in counterfactual antecedents, and assess how convincing the consequent is [Quine] |
15721 | Counterfactuals are plausible when dispositions are involved, as they imply structures [Quine] |
15720 | What stays the same in assessing a counterfactual antecedent depends on context [Quine] |
15724 | Counterfactuals have no place in a strict account of science [Quine] |
4630 | Two theories can be internally consistent and match all the facts, yet be inconsistent with one another [Quine, by Baggini /Fosl] |
19591 | Desire for perfection is an illness, if it turns against what is imperfect [Novalis] |
3131 | Quine expresses the instrumental version of eliminativism [Quine, by Rey] |
3988 | Indeterminacy of translation also implies indeterminacy in interpreting people's mental states [Dennett on Quine] |
6311 | The firmer the links between sentences and stimuli, the less translations can diverge [Quine] |
6312 | We can never precisely pin down how to translate the native word 'Gavagai' [Quine] |
6313 | Stimulus synonymy of 'Gavagai' and 'Rabbit' does not even guarantee they are coextensive [Quine] |
6317 | Dispositions to speech behaviour, and actual speech, are never enough to fix any one translation [Quine] |
6315 | We should be suspicious of a translation which implies that a people have very strange beliefs [Quine] |
6314 | Weird translations are always possible, but they improve if we impose our own logic on them [Quine] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |