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All the ideas for 'Db (lexicon)', 'What Does It Take to Refer?' and 'Lectures on Aesthetics'

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107 ideas

1. Philosophy / B. History of Ideas / 3. Greek-English Lexicon
Agathon: good [PG]
Aisthesis: perception, sensation, consciousness [PG]
Aitia / aition: cause, explanation [PG]
Akrasia: lack of control, weakness of will [PG]
Aletheia: truth [PG]
Anamnesis: recollection, remembrance [PG]
Ananke: necessity [PG]
Antikeimenon: object [PG]
Apatheia: unemotional [PG]
Apeiron: the unlimited, indefinite [PG]
Aphairesis: taking away, abstraction [PG]
Apodeixis: demonstration [PG]
Aporia: puzzle, question, anomaly [PG]
Arche: first principle, the basic [PG]
Arete: virtue, excellence [PG]
Chronismos: separation [PG]
Diairesis: division [PG]
Dialectic: dialectic, discussion [PG]
Dianoia: intellection [cf. Noesis] [PG]
Diaphora: difference [PG]
Dikaiosune: moral goodness, justice [PG]
Doxa: opinion, belief [PG]
Dunamis: faculty, potentiality, capacity [PG]
Eidos: form, idea [PG]
Elenchos: elenchus, interrogation [PG]
Empeiron: experience [PG]
Energeia: employment, actuality, power? [PG]
Enkrateia: control [PG]
Entelecheia: entelechy, having an end [PG]
Epagoge: induction, explanation [PG]
Episteme: knowledge, understanding [PG]
Epithumia: appetite [PG]
Ergon: function [PG]
Eristic: polemic, disputation [PG]
Eros: love [PG]
Eudaimonia: flourishing, happiness, fulfilment [PG]
Genos: type, genus [PG]
Hexis: state, habit [PG]
Horismos: definition [PG]
Hule: matter [PG]
Hupokeimenon: subject, underlying thing [cf. Tode ti] [PG]
Kalos / kalon: beauty, fineness, nobility [PG]
Kath' hauto: in virtue of itself, essentially [PG]
Kinesis: movement, process [PG]
Kosmos: order, universe [PG]
Logos: reason, account, word [PG]
Meson: the mean [PG]
Metechein: partaking, sharing [PG]
Mimesis: imitation, fine art [PG]
Morphe: form [PG]
Noesis: intellection, rational thought [cf. Dianoia] [PG]
Nomos: convention, law, custom [PG]
Nous: intuition, intellect, understanding [PG]
Orexis: desire [PG]
Ousia: substance, (primary) being, [see 'Prote ousia'] [PG]
Pathos: emotion, affection, property [PG]
Phantasia: imagination [PG]
Philia: friendship [PG]
Philosophia: philosophy, love of wisdom [PG]
Phronesis: prudence, practical reason, common sense [PG]
Physis: nature [PG]
Praxis: action, activity [PG]
Prote ousia: primary being [PG]
Psuche: mind, soul, life [PG]
Sophia: wisdom [PG]
Sophrosune: moderation, self-control [PG]
Stoicheia: elements [PG]
Sullogismos: deduction, syllogism [PG]
Techne: skill, practical knowledge [PG]
Telos: purpose, end [PG]
Theoria: contemplation [PG]
Theos: god [PG]
Ti esti: what-something-is, essence [PG]
Timoria: vengeance, punishment [PG]
To ti en einai: essence, what-it-is-to-be [PG]
To ti estin: essence [PG]
Tode ti: this-such, subject of predication [cf. hupokeimenon] [PG]
3. Truth / A. Truth Problems / 2. Defining Truth
Genuine truth is the resolution of the highest contradiction [Hegel]
3. Truth / A. Truth Problems / 3. Value of Truth
What I hold true must also be part of my feelings and character [Hegel]
4. Formal Logic / E. Nonclassical Logics / 6. Free Logic
Free logic at least allows empty names, but struggles to express non-existence [Bach]
5. Theory of Logic / C. Ontology of Logic / 1. Ontology of Logic
In first-order we can't just assert existence, and it is very hard to deny something's existence [Bach]
5. Theory of Logic / E. Structures of Logic / 3. Constants in Logic
In logic constants play the role of proper names [Bach]
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
Proper names can be non-referential - even predicate as well as attributive uses [Bach]
5. Theory of Logic / F. Referring in Logic / 1. Naming / c. Names as referential
Millian names struggle with existence, empty names, identities and attitude ascription [Bach]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / a. Descriptions
An object can be described without being referred to [Bach]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / b. Definite descriptions
Definite descriptions can be used to refer, but are not semantically referential [Bach]
19. Language / B. Reference / 1. Reference theories
Fictional reference is different inside and outside the fiction [Bach]
We can refer to fictional entities if they are abstract objects [Bach]
You 'allude to', not 'refer to', an individual if you keep their identity vague [Bach]
19. Language / B. Reference / 4. Descriptive Reference / b. Reference by description
What refers: indefinite or definite or demonstrative descriptions, names, indexicals, demonstratives? [Bach]
If we can refer to things which change, we can't be obliged to single out their properties [Bach]
We can think of an individual without have a uniquely characterizing description [Bach]
It can't be real reference if it could refer to some other thing that satisfies the description [Bach]
Since most expressions can be used non-referentially, none of them are inherently referential [Bach]
Just alluding to or describing an object is not the same as referring to it [Bach]
19. Language / B. Reference / 5. Speaker's Reference
Context does not create reference; it is just something speakers can exploit [Bach]
'That duck' may not refer to the most obvious one in the group [Bach]
What a pronoun like 'he' refers back to is usually a matter of speaker's intentions [Bach]
Information comes from knowing who is speaking, not just from interpretation of the utterance [Bach]
19. Language / F. Communication / 5. Pragmatics / a. Contextual meaning
People slide from contextual variability all the way to contextual determination [Bach]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
The main purpose of art is to express the unity of human life [Hegel]
Art forms a bridge between the sensuous world and the world of pure thought [Hegel]