22 ideas
18335 | There are five problems which the truth-maker theory might solve [Rami] |
18334 | The truth-maker idea is usually justified by its explanatory power, or intuitive appeal [Rami] |
18339 | The truth-making relation can be one-to-one, or many-to-many [Rami] |
18333 | Central idea: truths need truthmakers; and possibly all truths have them, and makers entail truths [Rami] |
18342 | Most theorists say that truth-makers necessitate their truths [Rami] |
18340 | It seems best to assume different kinds of truth-maker, such as objects, facts, tropes, or events [Rami] |
18341 | Truth-makers seem to be states of affairs (plus optional individuals), or individuals and properties [Rami] |
18346 | 'Truth supervenes on being' only gives necessary (not sufficient) conditions for contingent truths [Rami] |
18345 | 'Truth supervenes on being' avoids entities as truth-makers for negative truths [Rami] |
18343 | Maybe a truth-maker also works for the entailments of the given truth [Rami] |
18338 | Truth-making is usually internalist, but the correspondence theory is externalist [Rami] |
18337 | Correspondence theories assume that truth is a representation relation [Rami] |
18347 | Deflationist truth is an infinitely disjunctive property [Rami] |
18350 | Truth-maker theorists should probably reject the converse Barcan formula [Rami] |
13412 | Obtaining numbers by abstraction is impossible - there are too many; only a rule could give them, in order [Benacerraf] |
13413 | We must explain how we know so many numbers, and recognise ones we haven't met before [Benacerraf] |
13411 | If numbers are basically the cardinals (Frege-Russell view) you could know some numbers in isolation [Benacerraf] |
13415 | An adequate account of a number must relate it to its series [Benacerraf] |
18336 | Internal relations depend either on the existence of the relata, or on their properties [Rami] |
20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |