Combining Texts

All the ideas for 'Stipulation, Meaning and Apriority', 'Introductions to 'Aesthetics and the Phil of Art'' and 'The Semantic Tradition from Kant to Carnap'

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15 ideas

2. Reason / D. Definition / 13. Against Definition
How do we determine which of the sentences containing a term comprise its definition? [Horwich]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
Choice suggests that intensions are not needed to ensure classes [Coffa]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
A priori belief is not necessarily a priori justification, or a priori knowledge [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 6. A Priori from Reason
Understanding needs a priori commitment [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
The semantic tradition aimed to explain the a priori semantically, not by Kantian intuition [Coffa]
Meaning is generated by a priori commitment to truth, not the other way around [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 9. A Priori from Concepts
Meanings and concepts cannot give a priori knowledge, because they may be unacceptable [Horwich]
If we stipulate the meaning of 'number' to make Hume's Principle true, we first need Hume's Principle [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 10. A Priori as Subjective
A priori knowledge (e.g. classical logic) may derive from the innate structure of our minds [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 11. Denying the A Priori
Platonism defines the a priori in a way that makes it unknowable [Coffa]
15. Nature of Minds / C. Capacities of Minds / 5. Generalisation by mind
Mathematics generalises by using variables [Coffa]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
27. Natural Reality / D. Time / 1. Nature of Time / a. Absolute time
Relativity is as absolutist about space-time as Newton was about space [Coffa]