Combining Texts

All the ideas for 'Stipulation, Meaning and Apriority', 'An Essay in Aesthetics' and 'The Structure of Paradoxes of Self-Reference'

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26 ideas

2. Reason / D. Definition / 13. Against Definition
How do we determine which of the sentences containing a term comprise its definition? [Horwich]
5. Theory of Logic / L. Paradox / 1. Paradox
Typically, paradoxes are dealt with by dividing them into two groups, but the division is wrong [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / b. König's paradox
The 'least indefinable ordinal' is defined by that very phrase [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / c. Berry's paradox
'x is a natural number definable in less than 19 words' leads to contradiction [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / d. Richard's paradox
By diagonalization we can define a real number that isn't in the definable set of reals [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / c. Burali-Forti's paradox
The least ordinal greater than the set of all ordinals is both one of them and not one of them [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / e. Mirimanoff's paradox
The next set up in the hierarchy of sets seems to be both a member and not a member of it [Priest,G]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
If you know that a sentence is not one of the known sentences, you know its truth [Priest,G]
There are Liar Pairs, and Liar Chains, which fit the same pattern as the basic Liar [Priest,G]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
A priori belief is not necessarily a priori justification, or a priori knowledge [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 6. A Priori from Reason
Understanding needs a priori commitment [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
Meaning is generated by a priori commitment to truth, not the other way around [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 9. A Priori from Concepts
Meanings and concepts cannot give a priori knowledge, because they may be unacceptable [Horwich]
If we stipulate the meaning of 'number' to make Hume's Principle true, we first need Hume's Principle [Horwich]
12. Knowledge Sources / A. A Priori Knowledge / 10. A Priori as Subjective
A priori knowledge (e.g. classical logic) may derive from the innate structure of our minds [Horwich]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]