20 ideas
| 9331 | How do we determine which of the sentences containing a term comprise its definition? [Horwich] |
| 17462 | A single object must not be counted twice, which needs knowledge of distinctness (negative identity) [Rumfitt] |
| 17461 | Some 'how many?' answers are not predications of a concept, like 'how many gallons?' [Rumfitt] |
| 9333 | A priori belief is not necessarily a priori justification, or a priori knowledge [Horwich] |
| 9342 | Understanding needs a priori commitment [Horwich] |
| 9332 | Meaning is generated by a priori commitment to truth, not the other way around [Horwich] |
| 9341 | Meanings and concepts cannot give a priori knowledge, because they may be unacceptable [Horwich] |
| 9334 | If we stipulate the meaning of 'number' to make Hume's Principle true, we first need Hume's Principle [Horwich] |
| 9339 | A priori knowledge (e.g. classical logic) may derive from the innate structure of our minds [Horwich] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |