39 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
9331 | How do we determine which of the sentences containing a term comprise its definition? [Horwich] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
16985 | Possible worlds allowed the application of set-theoretic models to modal logic [Kripke] |
16982 | A man has two names if the historical chains are different - even if they are the same! [Kripke] |
16981 | With the necessity of self-identity plus Leibniz's Law, identity has to be an 'internal' relation [Kripke] |
4942 | The indiscernibility of identicals is as self-evident as the law of contradiction [Kripke] |
16984 | I don't think possible worlds reductively reveal the natures of modal operators etc. [Kripke] |
9385 | The very act of designating of an object with properties gives knowledge of a contingent truth [Kripke] |
4943 | Instead of talking about possible worlds, we can always say "It is possible that.." [Kripke] |
16983 | Probability with dice uses possible worlds, abstractions which fictionally simplify things [Kripke] |
9333 | A priori belief is not necessarily a priori justification, or a priori knowledge [Horwich] |
9342 | Understanding needs a priori commitment [Horwich] |
9332 | Meaning is generated by a priori commitment to truth, not the other way around [Horwich] |
9341 | Meanings and concepts cannot give a priori knowledge, because they may be unacceptable [Horwich] |
9334 | If we stipulate the meaning of 'number' to make Hume's Principle true, we first need Hume's Principle [Horwich] |
9339 | A priori knowledge (e.g. classical logic) may derive from the innate structure of our minds [Horwich] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |