Combining Texts

All the ideas for 'On Referring', 'Facts and Propositions' and 'An Essay in Aesthetics'

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21 ideas

3. Truth / H. Deflationary Truth / 1. Redundant Truth
3750 "It is true that x" means no more than x [Ramsey]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
8358 There are no rules for the exact logic of ordinary language, because that doesn't exist [Strawson,P]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / c. Theory of definite descriptions
6413 'The present King of France is bald' presupposes existence, rather than stating it [Strawson,P, by Grayling]
8354 Russell asks when 'The King of France is wise' would be a true assertion [Strawson,P]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
19. Language / A. Nature of Meaning / 6. Meaning as Use
8356 The meaning of an expression or sentence is general directions for its use, to refer or to assert [Strawson,P]
19. Language / A. Nature of Meaning / 7. Meaning Holism / c. Meaning by Role
18818 Sentence meaning is given by the actions to which it would lead [Ramsey]
19. Language / B. Reference / 3. Direct Reference / c. Social reference
10430 Reference is mainly a social phenomenon [Strawson,P, by Sainsbury]
19. Language / B. Reference / 4. Descriptive Reference / b. Reference by description
10448 If an expression can refer to anything, it may still instrinsically refer, but relative to a context [Bach on Strawson,P]
19. Language / B. Reference / 5. Speaker's Reference
8355 Expressions don't refer; people use expressions to refer [Strawson,P]
8357 If an utterance fails to refer then it is a pseudo-use, though a speaker may think they assert something [Strawson,P]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]