Combining Texts

All the ideas for 'Good and Evil', 'Against Structural Universals' and 'An Essay in Aesthetics'

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29 ideas

8. Modes of Existence / B. Properties / 4. Intrinsic Properties
If you think universals are immanent, you must believe them to be sparse, and not every related predicate [Lewis]
8. Modes of Existence / B. Properties / 5. Natural Properties
I assume there could be natural properties that are not instantiated in our world [Lewis]
8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
Tropes are particular properties, which cannot recur, but can be exact duplicates [Lewis]
8. Modes of Existence / D. Universals / 2. Need for Universals
Universals are meant to give an account of resemblance [Lewis]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
We can add a primitive natural/unnatural distinction to class nominalism [Lewis]
9. Objects / C. Structure of Objects / 1. Structure of an Object
The 'magical' view of structural universals says they are atoms, even though they have parts [Lewis]
If 'methane' is an atomic structural universal, it has nothing to connect it to its carbon universals [Lewis]
The 'pictorial' view of structural universals says they are wholes made of universals as parts [Lewis]
The structural universal 'methane' needs the universal 'hydrogen' four times over [Lewis]
Butane and Isobutane have the same atoms, but different structures [Lewis]
Structural universals have a necessary connection to the universals forming its parts [Lewis]
We can't get rid of structural universals if there are no simple universals [Lewis]
9. Objects / C. Structure of Objects / 5. Composition of an Object
Composition is not just making new things from old; there are too many counterexamples [Lewis]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
A whole is distinct from its parts, but is not a further addition in ontology [Lewis]
Different things (a toy house and toy car) can be made of the same parts at different times [Lewis]
15. Nature of Minds / C. Capacities of Minds / 3. Abstraction by mind
Maybe abstraction is just mereological subtraction [Lewis]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Mathematicians abstract by equivalence classes, but that doesn't turn a many into one [Lewis]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
22. Metaethics / C. The Good / 1. Goodness / a. Form of the Good
'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot]