23 ideas
1606 | You have to be a Platonist to debate about reality, so every philosopher is a Platonist [Roochnik] |
1595 | Philosophy aims to satisfy the chief human desire - the articulation of beauty itself [Roochnik] |
1571 | 'Logos' ranges from thought/reasoning, to words, to rational structures outside thought [Roochnik] |
1573 | The hallmark of a person with logos is that they give reasons why one opinion is superior to another [Roochnik] |
1603 | Logos is not unconditionally good, but good if there is another person willing to engage with it [Roochnik] |
1572 | In the seventeenth century the only acceptable form of logos was technical knowledge [Roochnik] |
1593 | Human desire has an ordered structure, with logos at the pinnacle [Roochnik] |
1592 | Logos cannot refute the relativist, and so must admit that it too is a matter of desire (for truth and agreement) [Roochnik] |
1598 | We prefer reason or poetry according to whether basics are intelligible or not [Roochnik] |
1584 | Modern science, by aiming for clarity about the external world, has abandoned rationality in the human world [Roochnik] |
1591 | Unfortunately for reason, argument can't be used to establish the value of argument [Roochnik] |
1599 | Attempts to suspend all presuppositions are hopeless, because a common ground must be agreed for the process [Roochnik] |
1605 | Reality can be viewed neutrally, or as an object of desire [Roochnik] |
1577 | Relativism is a disease which destroys the possibility of rational debate [Roochnik] |
1596 | Reasoning aims not at the understanding of objects, but at the desire to give beautiful speeches [Roochnik] |
1578 | If relativism is the correct account of human values, then rhetoric is more important than reasoning [Roochnik] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
22489 | 'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot] |