12 ideas
| 7746 | We don't normally think of names as having senses (e.g. we don't give definitions of them) [Searle] |
| 7747 | How can a proper name be correlated with its object if it hasn't got a sense? [Searle] |
| 7748 | 'Aristotle' means more than just 'an object that was christened "Aristotle"' [Searle] |
| 7749 | Reference for proper names presupposes a set of uniquely referring descriptions [Searle] |
| 7750 | Proper names are logically connected with their characteristics, in a loose way [Searle] |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| 22489 | 'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot] |