Combining Texts

All the ideas for 'Good and Evil', 'The Intentional Fallacy' and 'The Principles of Art'

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10 ideas

21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
22. Metaethics / C. The Good / 1. Goodness / a. Form of the Good
'Good' is an attributive adjective like 'large', not predicative like 'red' [Geach, by Foot]