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All the ideas for 'Philosophical Essay on Probability', 'The Philosophy of Art (2nd ed)' and 'Truth'

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42 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
In "if and only if" (iff), "if" expresses the sufficient condition, and "only if" the necessary condition [Engel]
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
3. Truth / A. Truth Problems / 5. Truth Bearers
Are truth-bearers propositions, or ideas/beliefs, or sentences/utterances? [Engel]
3. Truth / C. Correspondence Truth / 2. Correspondence to Facts
The redundancy theory gets rid of facts, for 'it is a fact that p' just means 'p' [Engel]
3. Truth / C. Correspondence Truth / 3. Correspondence Truth critique
We can't explain the corresponding structure of the world except by referring to our thoughts [Engel]
3. Truth / D. Coherence Truth / 1. Coherence Truth
The coherence theory says truth is an internal relationship between groups of truth-bearers [Engel]
3. Truth / D. Coherence Truth / 2. Coherence Truth Critique
Any coherent set of beliefs can be made more coherent by adding some false beliefs [Engel]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationism seems to block philosophers' main occupation, asking metatheoretical questions [Engel]
Deflationism cannot explain why we hold beliefs for reasons [Engel]
3. Truth / H. Deflationary Truth / 3. Minimalist Truth
Maybe there is no more to be said about 'true' than there is about the function of 'and' in logic [Engel]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
Deflationism must reduce bivalence ('p is true or false') to excluded middle ('p or not-p') [Engel]
11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
The Humean theory of motivation is that beliefs may be motivators as well as desires [Engel]
11. Knowledge Aims / A. Knowledge / 4. Belief / c. Aim of beliefs
Our beliefs are meant to fit the world (i.e. be true), where we want the world to fit our desires [Engel]
11. Knowledge Aims / A. Knowledge / 4. Belief / d. Cause of beliefs
'Evidentialists' say, and 'voluntarists' deny, that we only believe on the basis of evidence [Engel]
12. Knowledge Sources / D. Empiricism / 3. Pragmatism
Pragmatism is better understood as a theory of belief than as a theory of truth [Engel]
13. Knowledge Criteria / C. External Justification / 5. Controlling Beliefs
We cannot directly control our beliefs, but we can control the causes of our involuntary beliefs [Engel]
13. Knowledge Criteria / C. External Justification / 7. Testimony
The reliability of witnesses depends on whether they benefit from their observations [Laplace, by Hacking]
16. Persons / F. Free Will / 6. Determinism / a. Determinism
If a supreme intellect knew all atoms and movements, it could know all of the past and the future [Laplace]
17. Mind and Body / C. Functionalism / 1. Functionalism
Mental states as functions are second-order properties, realised by first-order physical properties [Engel]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]