61 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
232 | Opposites are as unlike as possible [Plato] |
8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
13986 | Plato found antinomies in ideas, Kant in space and time, and Bradley in relations [Plato, by Ryle] |
14150 | Plato's 'Parmenides' is perhaps the best collection of antinomies ever made [Russell on Plato] |
16150 | One is, so numbers exist, so endless numbers exist, and each one must partake of being [Plato] |
229 | The one was and is and will be and was becoming and is becoming and will become [Plato] |
21821 | Plato's Parmenides has a three-part theory, of Primal One, a One-Many, and a One-and-Many [Plato, by Plotinus] |
221 | Absolute ideas, such as the Good and the Beautiful, cannot be known by us [Plato] |
227 | You must always mean the same thing when you utter the same name [Plato] |
223 | If you deny that each thing always stays the same, you destroy the possibility of discussion [Plato] |
210 | It would be absurd to think there were abstract Forms for vile things like hair, mud and dirt [Plato] |
220 | The concept of a master includes the concept of a slave [Plato] |
211 | If admirable things have Forms, maybe everything else does as well [Plato] |
219 | If absolute ideas existed in us, they would cease to be absolute [Plato] |
228 | Greatness and smallness must exist, to be opposed to one another, and come into being in things [Plato] |
16151 | Plato moves from Forms to a theory of genera and principles in his later work [Plato, by Frede,M] |
218 | Participation is not by means of similarity, so we are looking for some other method of participation [Plato] |
212 | The whole idea of each Form must be found in each thing which participates in it [Plato] |
213 | Each idea is in all its participants at once, just as daytime is a unity but in many separate places at once [Plato] |
216 | If things are made alike by participating in something, that thing will be the absolute idea [Plato] |
215 | If things partake of ideas, this implies either that everything thinks, or that everything actually is thought [Plato] |
217 | Nothing can be like an absolute idea, because a third idea intervenes to make them alike (leading to a regress) [Plato] |
214 | If absolute greatness and great things are seen as the same, another thing appears which makes them seem great [Plato] |
15851 | Parts must belong to a created thing with a distinct form [Plato] |
15846 | In Parmenides, if composition is identity, a whole is nothing more than its parts [Plato, by Harte,V] |
15849 | Plato says only a one has parts, and a many does not [Plato, by Harte,V] |
15850 | Anything which has parts must be one thing, and parts are of a one, not of a many [Plato] |
13259 | It seems that the One must be composed of parts, which contradicts its being one [Plato] |
15847 | Two things relate either as same or different, or part of a whole, or the whole of the part [Plato] |
14739 | 'Water' is two-dimensionally inconstant, with different intensions in different worlds [Chalmers, by Sider] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
222 | Only a great person can understand the essence of things, and an even greater person can teach it [Plato] |
225 | The unlimited has no shape and is endless [Plato] |
233 | Some things do not partake of the One [Plato] |
2062 | The only movement possible for the One is in space or in alteration [Plato] |
231 | Everything partakes of the One in some way [Plato] |
234 | We couldn't discuss the non-existence of the One without knowledge of it [Plato] |