42 ideas
21461 | I tried to be unsystematic and piecemeal, but failed; my papers presuppose my other views [Lewis] |
15845 | It seems absurd that seeing a person's limbs, the one is many, and yet the many are one [Plato] |
9867 | It is absurd to define a circle, but not be able to recognise a real one [Plato] |
9865 | Daily arithmetic counts unequal things, but pure arithmetic equalises them [Plato] |
15857 | Any mixture which lacks measure and proportion doesn't even count as a mixture at all [Plato] |
14503 | If a mixture does not contain measure and proportion, it is corrupted and destroyed [Plato] |
4447 | If the good is one, is it unchanged when it is in particulars, and is it then separated from itself? [Plato] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
15856 | A thing can become one or many, depending on how we talk about it [Plato] |
374 | If one object is divided into its parts, someone can then say that one are many and many is one [Plato] |
389 | How can you be certain about aspects of the world if they aren't constant? [Plato] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
390 | If goodness involves moderation and proportion, then it seems to be found in beauty [Plato] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
392 | Neither intellect nor pleasure are the good, because they are not perfect and self-sufficient [Plato] |
391 | The good involves beauty, proportion and truth [Plato] |
393 | Good first, then beauty, then reason, then knowledge, then pleasure [Plato, by PG] |
385 | Some of the pleasures and pains we feel are false [Plato] |
387 | A small pure pleasure is much finer than a large one contaminated with pain [Plato] |
373 | Pleasure is certainly very pleasant, but it doesn't follow that all pleasures are good [Plato] |
379 | The good must be sufficient and perfect, and neither intellect nor pleasure are that [Plato] |
371 | Reason, memory, truth and wisdom are far better than pleasure, for those who can attain them [Plato] |
376 | Would you prefer a life of pleasure without reason, or one of reason without pleasure? [Plato] |
382 | It is unlikely that the gods feel either pleasure or pain [Plato] |
381 | We feel pleasure when we approach our natural state of harmony [Plato] |
386 | Intense pleasure and pain are not felt in a good body, but in a worthless one [Plato] |
377 | If you lived a life of maximum pleasure, would you still be lacking anything? [Plato] |
378 | A life of pure pleasure with no intellect is the life of a jellyfish [Plato] |
388 | Hedonists must say that someone in pain is bad, even if they are virtuous [Plato] |