37 ideas
192 | Only one thing can be contrary to something [Plato] |
8358 | There are no rules for the exact logic of ordinary language, because that doesn't exist [Strawson,P] |
6413 | 'The present King of France is bald' presupposes existence, rather than stating it [Strawson,P, by Grayling] |
8354 | Russell asks when 'The King of France is wise' would be a true assertion [Strawson,P] |
190 | If asked whether justice itself is just or unjust, you would have to say that it is just [Plato] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
20185 | The most important things in life are wisdom and knowledge [Plato] |
20184 | The only real evil is loss of knowledge [Plato] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
191 | Everything resembles everything else up to a point [Plato] |
8356 | The meaning of an expression or sentence is general directions for its use, to refer or to assert [Strawson,P] |
10430 | Reference is mainly a social phenomenon [Strawson,P, by Sainsbury] |
10448 | If an expression can refer to anything, it may still instrinsically refer, but relative to a context [Bach on Strawson,P] |
8355 | Expressions don't refer; people use expressions to refer [Strawson,P] |
8357 | If an utterance fails to refer then it is a pseudo-use, though a speaker may think they assert something [Strawson,P] |
203 | Courage is knowing what should or shouldn't be feared [Plato] |
20343 | A love of nature must precede a love of art [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
202 | No one willingly and knowingly embraces evil [Plato] |
193 | Some things are good even though they are not beneficial to men [Plato] |
197 | Some pleasures are not good, and some pains are not evil [Plato] |
200 | People tend only to disapprove of pleasure if it leads to pain, or prevents future pleasure [Plato] |
188 | Socrates did not believe that virtue could be taught [Plato] |
204 | Socrates is contradicting himself in claiming virtue can't be taught, but that it is knowledge [Plato] |
189 | If we punish wrong-doers, it shows that we believe virtue can be taught [Plato] |