56 ideas
224 | When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato] |
232 | Opposites are as unlike as possible [Plato] |
8937 | Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato] |
13986 | Plato found antinomies in ideas, Kant in space and time, and Bradley in relations [Plato, by Ryle] |
14150 | Plato's 'Parmenides' is perhaps the best collection of antinomies ever made [Russell on Plato] |
16150 | One is, so numbers exist, so endless numbers exist, and each one must partake of being [Plato] |
229 | The one was and is and will be and was becoming and is becoming and will become [Plato] |
21821 | Plato's Parmenides has a three-part theory, of Primal One, a One-Many, and a One-and-Many [Plato, by Plotinus] |
221 | Absolute ideas, such as the Good and the Beautiful, cannot be known by us [Plato] |
223 | If you deny that each thing always stays the same, you destroy the possibility of discussion [Plato] |
227 | You must always mean the same thing when you utter the same name [Plato] |
211 | If admirable things have Forms, maybe everything else does as well [Plato] |
228 | Greatness and smallness must exist, to be opposed to one another, and come into being in things [Plato] |
210 | It would be absurd to think there were abstract Forms for vile things like hair, mud and dirt [Plato] |
16151 | Plato moves from Forms to a theory of genera and principles in his later work [Plato, by Frede,M] |
219 | If absolute ideas existed in us, they would cease to be absolute [Plato] |
220 | The concept of a master includes the concept of a slave [Plato] |
218 | Participation is not by means of similarity, so we are looking for some other method of participation [Plato] |
212 | The whole idea of each Form must be found in each thing which participates in it [Plato] |
215 | If things partake of ideas, this implies either that everything thinks, or that everything actually is thought [Plato] |
213 | Each idea is in all its participants at once, just as daytime is a unity but in many separate places at once [Plato] |
216 | If things are made alike by participating in something, that thing will be the absolute idea [Plato] |
214 | If absolute greatness and great things are seen as the same, another thing appears which makes them seem great [Plato] |
217 | Nothing can be like an absolute idea, because a third idea intervenes to make them alike (leading to a regress) [Plato] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
15851 | Parts must belong to a created thing with a distinct form [Plato] |
15846 | In Parmenides, if composition is identity, a whole is nothing more than its parts [Plato, by Harte,V] |
15849 | Plato says only a one has parts, and a many does not [Plato, by Harte,V] |
15850 | Anything which has parts must be one thing, and parts are of a one, not of a many [Plato] |
13259 | It seems that the One must be composed of parts, which contradicts its being one [Plato] |
15847 | Two things relate either as same or different, or part of a whole, or the whole of the part [Plato] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
222 | Only a great person can understand the essence of things, and an even greater person can teach it [Plato] |
225 | The unlimited has no shape and is endless [Plato] |
233 | Some things do not partake of the One [Plato] |
231 | Everything partakes of the One in some way [Plato] |
2062 | The only movement possible for the One is in space or in alteration [Plato] |
234 | We couldn't discuss the non-existence of the One without knowledge of it [Plato] |