25 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 8915 | How we refer to abstractions is much less clear than how we refer to other things [Rosen] |
| 5960 | When the soul is intelligent and harmonious, it is part of god and derives from god [Plutarch] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 8917 | The Way of Abstraction used to say an abstraction is an idea that was formed by abstracting [Rosen] |
| 8912 | Nowadays abstractions are defined as non-spatial, causally inert things [Rosen] |
| 8913 | Chess may be abstract, but it has existed in specific space and time [Rosen] |
| 8914 | Sets are said to be abstract and non-spatial, but a set of books can be on a shelf [Rosen] |
| 8916 | Conflating abstractions with either sets or universals is a big claim, needing a big defence [Rosen] |
| 8918 | Functional terms can pick out abstractions by asserting an equivalence relation [Rosen] |
| 8919 | Abstraction by equivalence relationships might prove that a train is an abstract entity [Rosen] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |