42 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 23250 | Desired responsible actions result either from rational or from irrational desire [Aristotle] |
| 5847 | It is the role of dialectic to survey syllogisms [Aristotle] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 5862 | A single counterexample is enough to prove that a truth is not necessary [Aristotle] |
| 5854 | Nobody fears a disease which nobody has yet caught [Aristotle] |
| 5960 | When the soul is intelligent and harmonious, it is part of god and derives from god [Plutarch] |
| 5849 | Rhetoric is a political offshoot of dialectic and ethics [Aristotle] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 5851 | Pentathletes look the most beautiful, because they combine speed and strength [Aristotle] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 5858 | Men are physically prime at thirty-five, and mentally prime at forty-nine [Aristotle] |
| 5855 | We all feel universal right and wrong, independent of any community or contracts [Aristotle] |
| 5850 | Happiness is composed of a catalogue of internal and external benefits [Aristotle] |
| 5856 | Self-interest is a relative good, but nobility an absolute good [Aristotle] |
| 5853 | The best virtues are the most useful to others [Aristotle] |
| 5848 | All good things can be misused, except virtue [Aristotle] |
| 5857 | The young feel pity from philanthropy, but the old from self-concern [Aristotle] |
| 5859 | Rich people are mindlessly happy [Aristotle] |
| 5852 | The four constitutions are democracy (freedom), oligarchy (wealth), aristocracy (custom), tyranny (security) [Aristotle] |
| 1660 | It is noble to avenge oneself on one's enemies, and not come to terms with them [Aristotle] |
| 5861 | People assume events cause what follows them [Aristotle] |