Combining Texts

All the ideas for 'Isagoge ('Introduction')', 'The Ethical Criticism of Art' and 'Intro to 'The Reason's Proper Study''

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15 ideas

5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / c. Grelling's paradox
If 'x is heterological' iff it does not apply to itself, then 'heterological' is heterological if it isn't heterological [Hale/Wright]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / g. Incompleteness of Arithmetic
The incompletability of formal arithmetic reveals that logic also cannot be completely characterized [Hale/Wright]
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / e. Structuralism critique
If structures are relative, this undermines truth-value and objectivity [Hale/Wright]
The structural view of numbers doesn't fit their usage outside arithmetical contexts [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
The neo-Fregean is more optimistic than Frege about contextual definitions of numbers [Hale/Wright]
8. Modes of Existence / D. Universals / 1. Universals
Are genera and species real or conceptual? bodies or incorporeal? in sensibles or separate from them? [Porphyry]
9. Objects / A. Existence of Objects / 2. Abstract Objects / c. Modern abstracta
Objects just are what singular terms refer to [Hale/Wright]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Abstracted objects are not mental creations, but depend on equivalence between given entities [Hale/Wright]
19. Language / E. Analyticity / 2. Analytic Truths
Many conceptual truths ('yellow is extended') are not analytic, as derived from logic and definitions [Hale/Wright]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Maybe literary assessment is evaluating the artist as a suitable friend [Gaut]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
'Moralism' says all aesthetic merits are moral merits [Gaut]
Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut]
If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut]
Good art does not necessarily improve people (any more than good advice does) [Gaut]