47 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 14480 | Maybe analytic truths do not require truth-makers, as they place no demands on the world [Thomasson] |
| 14471 | Analytical entailments arise from combinations of meanings and inference rules [Thomasson] |
| 14493 | Existence might require playing a role in explanation, or in a causal story, or being composed in some way [Thomasson] |
| 14491 | Rival ontological claims can both be true, if there are analytic relationships between them [Thomasson] |
| 14489 | Theories do not avoid commitment to entities by avoiding certain terms or concepts [Thomasson] |
| 14485 | Ordinary objects may be not indispensable, but they are nearly unavoidable [Thomasson] |
| 14487 | The simple existence conditions for objects are established by our practices, and are met [Thomasson] |
| 21651 | It is analytic that if simples are arranged chair-wise, then there is a chair [Thomasson, by Hofweber] |
| 14486 | Eliminativists haven't found existence conditions for chairs, beyond those of the word 'chair' [Thomasson] |
| 14467 | Ordinary objects are rejected, to avoid contradictions, or for greater economy in thought [Thomasson] |
| 14479 | To individuate people we need conventions, but conventions are made up by people [Thomasson] |
| 14481 | Wherever an object exists, there are intrinsic properties instantiating every modal profile [Thomasson] |
| 14482 | If the statue and the lump are two objects, they require separate properties, so we could add their masses [Thomasson] |
| 14483 | Given the similarity of statue and lump, what could possibly ground their modal properties? [Thomasson] |
| 14476 | Identity claims between objects are only well-formed if the categories are specified [Thomasson] |
| 14477 | Identical entities must be of the same category, and meet the criteria for the category [Thomasson] |
| 14478 | Modal Conventionalism says modality is analytic, not intrinsic to the world, and linguistic [Thomasson] |
| 14466 | A chief task of philosophy is making reflective sense of our common sense worldview [Thomasson] |
| 14475 | How can causal theories of reference handle nonexistence claims? [Thomasson] |
| 14474 | Pure causal theories of reference have the 'qua problem', of what sort of things is being referred to [Thomasson] |
| 14488 | Analyticity is revealed through redundancy, as in 'He bought a house and a building' [Thomasson] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |