Combining Texts

All the ideas for 'fragments/reports', 'Science of Logic' and 'The Philosophy of Art (2nd ed)'

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53 ideas

1. Philosophy / E. Nature of Metaphysics / 6. Metaphysics as Conceptual
If we start with indeterminate being, we arrive at being and nothing as a united pair [Hegel, by Houlgate]
Thought about being leads to a string of other concepts, like becoming, quantity, specificity, causality... [Hegel, by Houlgate]
We must start with absolute abstraction, with no presuppositions, so we start with pure being [Hegel]
1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / A. Nature of Reason / 5. Objectivity
Objectivity is not by correspondence, but by the historical determined necessity of Geist [Hegel, by Pinkard]
2. Reason / B. Laws of Thought / 3. Non-Contradiction
Being and nothing are the same and not the same, which is the identity of identity and non-identity [Hegel]
The so-called world is filled with contradiction [Hegel]
2. Reason / C. Styles of Reason / 1. Dialectic
Dialectic is the instability of thoughts generating their opposite, and then new more complex thoughts [Hegel, by Houlgate]
Hegel's dialectic is not thesis-antithesis-synthesis, but usually negation of negation of the negation [Hegel, by Moore,AW]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
7. Existence / A. Nature of Existence / 3. Being / d. Non-being
To grasp an existence, we must consider its non-existence [Hegel, by Houlgate]
Nothing exists, as thinkable and expressible [Hegel]
7. Existence / A. Nature of Existence / 3. Being / e. Being and nothing
Thinking of nothing is not the same as simply not thinking [Hegel, by Houlgate]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
The ground of a thing is not another thing, but the first thing's substance or rational concept [Hegel, by Houlgate]
7. Existence / D. Theories of Reality / 2. Realism
Kant's thing-in-itself is just an abstraction from our knowledge; things only exist for us [Hegel, by Bowie]
Hegel believe that the genuine categories reveal things in themselves [Hegel, by Houlgate]
8. Modes of Existence / A. Relations / 2. Internal Relations
The nature of each category relates itself to another [Hegel]
11. Knowledge Aims / B. Certain Knowledge / 1. Certainty
In absolute knowing, the gap between object and oneself closes, producing certainty [Hegel]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
The 'absolute idea' is when all the contradictions are exhausted [Hegel, by Bowie]
Hegel, unlike Kant, said how things appear is the same as how things are [Hegel, by Moore,AW]
Hegel's non-subjective idealism is the unity of subjective and objective viewpoints [Hegel, by Pinkard]
Hegel claimed his system was about the world, but it only mapped conceptual interdependence [Pinkard on Hegel]
The Absolute is the primitive system of concepts which are actualised [Hegel, by Gardner]
Authentic thinking and reality have the same content [Hegel]
The absolute idea is being, imperishable life, self-knowing truth, and all truth [Hegel]
The absolute idea is the great unity of the infinite system of concepts [Hegel, by Moore,AW]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / a. Coherence as justification
Hegel's 'absolute idea' is the interdependence of all truths to justify any of them [Hegel, by Bowie]
18. Thought / D. Concepts / 1. Concepts / a. Nature of concepts
Every concept depends on the counter-concepts of what it is not [Hegel, by Bowie]
19. Language / E. Analyticity / 4. Analytic/Synthetic Critique
When we explicate the category of being, we watch a new category emerge [Hegel, by Houlgate]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
25. Social Practice / E. Policies / 5. Education / b. Education principles
Learned men gain more in one day than others do in a lifetime [Posidonius]
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]