Combining Texts

All the ideas for 'fragments/reports', 'The Philosopher's Toolkit' and 'Art'

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38 ideas

2. Reason / B. Laws of Thought / 2. Sufficient Reason
The Principle of Sufficient Reason does not presuppose that all explanations will be causal explanations [Baggini /Fosl]
2. Reason / B. Laws of Thought / 3. Non-Contradiction
You cannot rationally deny the principle of non-contradiction, because all reasoning requires it [Baggini /Fosl]
2. Reason / C. Styles of Reason / 1. Dialectic
Dialectic aims at unified truth, unlike analysis, which divides into parts [Baggini /Fosl]
4. Formal Logic / B. Propositional Logic PL / 2. Tools of Propositional Logic / e. Axioms of PL
'Natural' systems of deduction are based on normal rational practice, rather than on axioms [Baggini /Fosl]
In ideal circumstances, an axiom should be such that no rational agent could possibly object to its use [Baggini /Fosl]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
The principle of bivalence distorts reality, as when claiming that a person is or is not 'thin' [Baggini /Fosl]
9. Objects / F. Identity among Objects / 3. Relative Identity
If identity is based on 'true of X' instead of 'property of X' we get the Masked Man fallacy ('I know X but not Y') [Baggini /Fosl, by PG]
9. Objects / F. Identity among Objects / 4. Type Identity
'I have the same car as you' is fine; 'I have the same fiancée as you' is not so good [Baggini /Fosl]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
Leibniz's Law is about the properties of objects; the Identity of Indiscernibles is about perception of objects [Baggini /Fosl]
10. Modality / A. Necessity / 3. Types of Necessity
Is 'events have causes' analytic a priori, synthetic a posteriori, or synthetic a priori? [Baggini /Fosl]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
'A priori' does not concern how you learn a proposition, but how you show whether it is true or false [Baggini /Fosl]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / b. Basic beliefs
Basic beliefs are self-evident, or sensual, or intuitive, or revealed, or guaranteed [Baggini /Fosl]
14. Science / A. Basis of Science / 6. Falsification
A proposition such as 'some swans are purple' cannot be falsified, only verified [Baggini /Fosl]
14. Science / C. Induction / 1. Induction
The problem of induction is how to justify our belief in the uniformity of nature [Baggini /Fosl]
14. Science / C. Induction / 4. Reason in Induction
How can an argument be good induction, but poor deduction? [Baggini /Fosl]
14. Science / D. Explanation / 3. Best Explanation / a. Best explanation
Abduction aims at simplicity, testability, coherence and comprehensiveness [Baggini /Fosl]
To see if an explanation is the best, it is necessary to investigate the alternative explanations [Baggini /Fosl]
18. Thought / A. Modes of Thought / 5. Rationality / a. Rationality
Consistency is the cornerstone of rationality [Baggini /Fosl]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
25. Social Practice / E. Policies / 5. Education / b. Education principles
Learned men gain more in one day than others do in a lifetime [Posidonius]
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]