Combining Texts

All the ideas for 'fragments/reports', 'Two-Dimensional Semantics' and 'Art'

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39 ideas

10. Modality / A. Necessity / 3. Types of Necessity
Superficial necessity is true in all worlds; deep necessity is thus true, no matter which world is actual [Schroeter]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / b. Conceivable but impossible
Contradictory claims about a necessary god both seem apriori coherent [Schroeter]
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
2D semantics gives us apriori knowledge of our own meanings [Schroeter]
18. Thought / C. Content / 5. Twin Earth
Your view of water depends on whether you start from the actual Earth or its counterfactual Twin [Schroeter]
18. Thought / C. Content / 7. Narrow Content
Rationalists say knowing an expression is identifying its extension using an internal cognitive state [Schroeter]
19. Language / A. Nature of Meaning / 1. Meaning
Internalist meaning is about understanding; externalist meaning is about embedding in a situation [Schroeter]
19. Language / C. Assigning Meanings / 2. Semantics
Semantic theory assigns meanings to expressions, and metasemantics explains how this works [Schroeter]
19. Language / C. Assigning Meanings / 4. Compositionality
Semantic theories show how truth of sentences depends on rules for interpreting and joining their parts [Schroeter]
19. Language / C. Assigning Meanings / 7. Extensional Semantics
Simple semantics assigns extensions to names and to predicates [Schroeter]
'Federer' and 'best tennis player' can't mean the same, despite having the same extension [Schroeter]
19. Language / C. Assigning Meanings / 8. Possible Worlds Semantics
Possible worlds semantics uses 'intensions' - functions which assign extensions at each world [Schroeter]
Possible worlds make 'I' and that person's name synonymous, but they have different meanings [Schroeter]
Possible worlds semantics implies a constitutive connection between meanings and modal claims [Schroeter]
In the possible worlds account all necessary truths are same (because they all map to the True) [Schroeter]
19. Language / C. Assigning Meanings / 10. Two-Dimensional Semantics
Array worlds along the horizontal, and contexts (world,person,time) along the vertical [Schroeter]
If we introduce 'actually' into modal talk, we need possible worlds twice to express this [Schroeter]
Do we know apriori how we refer to names and natural kinds, but their modal profiles only a posteriori? [Schroeter]
2D fans defend it for conceptual analysis, for meaning, and for internalist reference [Schroeter]
2D semantics can't respond to contingent apriori claims, since there is no single proposition involved [Schroeter]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
25. Social Practice / E. Policies / 5. Education / b. Education principles
Learned men gain more in one day than others do in a lifetime [Posidonius]
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]