36 ideas
| 6472 | Continuity is a sufficient criterion for the identity of a rock, but not for part of a smooth fluid [Russell] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 6473 | Physical things are series of appearances whose matter obeys physical laws [Russell] |
| 6465 | We need not deny substance, but there seems no reason to assert it [Russell] |
| 6471 | The assumption by physicists of permanent substance is not metaphysically legitimate [Russell] |
| 6466 | Where possible, logical constructions are to be substituted for inferred entities [Russell] |
| 6467 | No sensibile is ever a datum to two people at once [Russell] |
| 6483 | Russell held that we are aware of states of our own brain [Russell, by Robinson,H] |
| 8244 | Sense-data are qualities devoid of subjectivity, which are the basis of science [Russell, by Deleuze/Guattari] |
| 6462 | Sense-data are not mental, but are part of the subject-matter of physics [Russell] |
| 6463 | Sense-data are objects, and do not contain the subject as part, the way beliefs do [Russell] |
| 6464 | Sense-data are usually objects within the body, but are not part of the subject [Russell] |
| 6459 | We do not know whether sense-data exist as objects when they are not data [Russell] |
| 6460 | 'Sensibilia' are identical to sense-data, without actually being data for any mind [Russell] |
| 6461 | Ungiven sense-data can no more exist than unmarried husbands [Russell] |
| 6458 | Individuating sense-data is difficult, because they divide when closely attended to [Russell] |
| 6469 | Sense-data may be subjective, if closing our eyes can change them [Russell] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| 6470 | Matter is the limit of appearances as distance from the object diminishes [Russell] |
| 6468 | There is 'private space', and there is also the 'space of perspectives' [Russell] |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |